I am going to explore the relationship between object and idea, what happens between the initial idea and the executed outcome.
The process.
Not necessarily the literal process of making, but maybe more the decisions made along the way, finishes, displays, materials.
What has been chosen and what hasn't, how that is conceived by the veiwer and how that is related to the initial idea.
Drawing: a factory - as a relationship between idea and object
We talked about doing interviews with gallery staff the other day, you could probably even interview and critique other students throughout their experience of making work. You could become someone's artistic conscience. Mind you that may just be weird or annoying? But there does seem to be a confrontational aspect materialising.
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